The Central Texas songwriter's excellent new acoustic collection deftly backs tongue-in-cheek narratives ("I Cut Off My Ankle Monitor to Be Here") with Technicolor earworms ("Pipe Bomb Dream"). Jonny Burke fortifies vivid vignettes with a poet’s eye ("Behind the Pine Curtain") and an alchemist's precision ("High Katie"). Childish Things spent six full weeks topping the Americana Music Radio chart in 20, and won the Americana Music Association's Album of the Year, with "We Can't Make It Here" named the organization's Song of the Year. The former earned McMurtry his highest Billboard 200 chart position in two decades (since eclipsed by Complicated Game) and notched Americana Music Award nominations. McMurtry's albums Just Us Kids (2008) and Childish Things (2005) back the claim, each scoring endless critical praise. I don't think anybody writes better lyrics." "He has that rare gift of being able to make a listener laugh out loud at one line and choke up at the next. "James McMurtry is one of my very few favorite songwriters on Earth and these days he's working at the top of his game," says Americana all-star Jason Isbell. "James writes like he's lived a lifetime," said John Mellencamp back in 1989, when Too Long in the Wasteland hit the Billboard 200. Walton Wake-Up Call" on The Horse and the Hounds-consistently has turned heads for decades now. McMurtry's lauded storytelling-check out songs such as "Operation Never Mind" and "Ft. "The ghost of Warren Zevon seems to be stomping around among the guitar tracks. "There's a definite Los Angeles vibe to this record," McMurtry says. This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection ("Vaquero") and revelation (closer "Blackberry Winter"). On James McMurtry's latest album, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance ("Canola Fields") and endless energy ("If It Don't Bleed"). There is a lot of seating in the theater, but if the show sells out there will not be seats for everyone. This is a General Admission show at the Lobo. They are also available by phone through Hold My Ticket at 50. Tickets cost $28 in advance, $30 day of show (including all service charges).
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